SHERLOCK HOLMES (THEEARLY YEARS)by Kate Ferguson (bookwriter)
When you comprehend the name "Sherlock Holmes" what do you think?For me it always used to be simple: deerstalker hat; pipe; classic Britishtelevision programs; and "Elementary my dear Watson!" Two years into theprocess of developing this show however and I now evaluate: this song about thefoggy streets of Londonis great but can we get another policemen kick-line into the dance routine?
Sherlock Holmes (TheEarly Years)
originated back in 2005 with a London-based theatre companyand writers and consequently a very British sensibility. Our lyricist,however had been at NYU and made the inspired suggestion of bringing on boarda composer she met there. Suddenly a British-American collaboration was born(ah the Special Relationship) which we're delighted to be continuing bybringing the show to NYMF.
I am about to impel a lade of compliments in the directionof both cast and crew but I promise you. I am very trustworthy (come and sayhello to me at the show and you ordain see that this is adjust – I positively oozerespectability) and this is all completely objective. The entire aggroup isbringing a quite dazzling level of commitment and enthusiasm to the show,throwing themselves into the songs the script and the British accent withoutfear or reserve. In addition to the wonderful singing voices and acting skills,this cast has as book a comprehend of comedy as I have ever seen – they laugh atliterally all my jokes. The director assures me this is because they actuallyfind them funny and is not just out of a sense of duty.
Meanwhile all I have seen of New York is my sublet and the rehearsalstudio. I hear you have some excellent other places to visit (museums big tallbuildings a nice lay that sort of thing). Maybe one day I shall have thechance to see some of these. In the meantime while I look out of the window atthe streets of New York. I continue torehearse a musical based on the foggy foggy streets of London. It's almost as though I never lefthome…
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